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His latest book, written with Stefano Harney, is All Incomplete (Minor Compositions/Autonomedia, 2021. https://freight.cargo.site/t/original/i/bf64388ce6b8e5a5198d330c5c1347d7736b619985cf2b6f68cddc60c052250d/DXG02-RasheedahPhilips.jpg Black Quantum Futurism (BQF) is a new approach to living and experiencing reality by way of the manipulation of space-time in order to see into possible futures, and/or collapse space-time into a desired future in order to bring about that future’s reality. This vision and practice derives its facets, tenets, and qualities from quantum physics and Black/African cultural traditions of consciousness, time, and space. Under a BQF intersectional time orientation, the past and future are not cut off from the present - both dimensions have influence over the whole of our lives, who we are and who we become at any particular point in space-time. Through various writing, music, film, visual art, and creative research projects, BQF Collective also explores personal, cultural, familial, and communal cycles of experience, and solutions for transforming negative cycles into positive ones using artistic and wholistic methods of healing. Our work focuses on recovery, collection, and preservation of communal memories, histories, and stories. https://freight.cargo.site/t/original/i/f15564a070be117cbb58dcbfd5241cce73cc9ebe5b95c42f687d33fd2e0bedf6/DXG_Amber-Collective.jpg Amber Film & Photography Collective came together as a film & photography collective in 1968. Their work has focused on documenting working class and marginalised lives and landscapes in North East England, but in 1977 we opened Side Gallery, which is committed to celebrating the best in the wider tradition of humanist documentary photography. The AmberSide Collection grows out of the work Amber produce, support and collect: Over 20,000 photographs, 100 films, 10,000 slides; a unique network of 400 stories. In 2011 Amber’s films and collective member Sirkka-Liisa Konttinen’s photographs were inscribed in the UNESCO Memory of the World register as ‘of outstanding national value and importance to the United Kingdom‘. AmberSide Trust was set up in 2015 to secure the collection and support the work. https://freight.cargo.site/t/original/i/643d36dcd57387eb58592b93fa880f1fc7d9f7a0592b32096de5f111129e7b46/DXG-Andrea-Philips.jpg Dr Andrea Phillips is BALTIC Professor and Director of BxNU Research Institute, Northumbria University & BALTIC Centre for Contemporary Art. She lectures and writes about the economic and social construction of public value within contemporary art, the manipulation of forms of participation and the potential of forms of political, architectural and social reorganisation within artistic and curatorial culture. In her current role she has developed a collaborative space in Newcastle called the Experimental Studio where people from different disciplines – from the university, the BALTIC and from outside these institutions – can come together and test out ideas in a safe setting. Andrea works closely with artists, curators and arts institutions internationally. She has published books and articles on social concerns in relation to contemporary art, focusing in particular on education and organization. She is currently developing a research project about the history of the UK’s Community Arts Movement, and an international project about Settlement infrastructures. Andrea is writing a book, Contemporary Art and the Production of Inequality, which will bring together discussions on the politics of public administration and management with recent analyses of arts institutions, alongside debates on value (public and private). This is informed by research into the political functions of the art market and personal experience of organising, lobbying, and governing contemporary arts institutions, arts education institutions, and working directly with artists https://freight.cargo.site/t/original/i/1789b27b1c69344f0e3fb67d85a629477b1f0ed83624282a5d36cd29f65d7906/INSTAGRAM20DXG20use20this20one44.jpg Denise Ferreira da Silva is a Professor and Director of the Social Justice Institute-GRSJ at the University of British Columbia. Her books include Toward a Global Idea of Race (2007), A Dívida Impagavel (2019), Unpayable Debt (2022) and co-editor (with Paula Chakravartty) of Race, Empire, and the Crisis of the Subprime (2013). Her several articles have been published in leading interdisciplinary journals, such as Social Text, Theory, Culture & Society, PhiloSOPHIA, Griffith Law Review, Theory & Event, The Black Scholar, to name a few. 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